Wanting Qu, a Harbin born singer songwriter live in Canada, has officially became the latest miracle of Chinese music industry. During the past few months, her name and songs have been spread quickly on internet and now even local hairdresser shops are playing her song – anyone who works in music industry here would know what that means. Bear in mind her album hasn’t even been released in China yet, and the pop music industry hasn’t broken any new artist for years. 

Wanting: You heard right, I'm the alpha, I'm the omega.

Being popular all over China, is extremely difficult. Just think about audience in northern China and southern China, completely different people with different minds. We haven’t seen new artist like this for a long time. She is, as a matter of fact, a godsend for our gloomy pop music scene in mainland China (which is more or less stuck creatively). 

At least two things that Wanting has made her truly outstanding here: 

a) She can REALLY write songs. Her undoubtably talent of writing hit singles for Chinese audience is astonishing, especially in the current atmosphere that none of the local songwriters seems to be able to write hit songs anymore. Even though sometimes she prefers to write English lyrics, her melody however is always suitable for major Chinese pop audience. Despite her collaboration with indie/rock artists (e.g., Zuo Xiao Zu Zhou) before , she is not indie rock, nor guitary strummy folk or angry anti-government rapper, but simply really good mainstream pop (doesn’t sound like a cool word but believe me it’s exactly what we need) that can touch most of the people here. For all the songs she wrote and recorded, it’s even quite hard for people to tell which one is NOT the lead single. That, my friend, is real talent.  

b) She has a very unique and recognizable voice, which is essential for a proper pop star. The fact she’s live in Canada in her adult years and has not suffered from the rubbish singing teachers, phony producers and recording engineers that we have in China (who normally make all the girl singing in the same boring way – check out the other girl pop singers here you’d understand) is just our luck. She sings will true feelings – and not trying to sound like a black woman or a dreary teenage widow (the other two seemingly popular trends). 

In the past few months she has been working very hard on her internet sites, interacting with her fans, including on weibo, douban, and video sites like youku. Her own hard work has gained most of her initial fan base and also got one of her songs being used as theme song of a recent critically acclaimed film (Love and Puff 2). We’ve seen her weibo(@曲婉婷wanting) followers surged to nearly 200,000 in a really short time.

Although famous from internet, Wanting would probably want people to take her as a real international artist (and pop star eventually) instead of a one hit wonder “internet singer” – normally stands for cheap production, corny lyrics, and faceless – I mean, who remember the face of  Phoenix Legend or Pang Long?  

Some compare Wanting with other more established artists such as Johanna Wong or Zhang Xuan – both are great singers but none of them have shown the song writing skill like Wanting has, Johanna is hardly a songwriter and can’t write mandarin songs, and most of Zhang Xuan’s music is too folky for the mass audience here. We would certainly expect a much bigger future of Wanting.

Wanting’s album “Everything in the World” (9 English songs+3 mandarin songs) has been released by her Canadian Label Nettwerk in North America late April. Universal Music China is planning to release a bigger album with 9 English songs+6 mandarin songs in Asia in the near future, and hopefully we’d see more of her performances here in China. 

Artist Links:

http://weibo.com/quwanting
http://site.douban.com/wanting/  (with online streaming)

(Drenched – theme song of “Love and Puff 2”)

Performing on stage, is nothing like riding a bike, apparently. Once an artist stopped his appearance on stage for a long time, it would be very hard for to sing and perform properly again.

We’ve seen many examples, one of them being Tang Dynasty – probably the most important (maybe only, if Overload doesn’t count) heavy band in China pop music history, active in the 90′s, when the band started to perform at music festivals again a couple of years ago – we suddenly realized that the lead singer – who use the known as the first rock voice of asia 15 years ago – cannot sing anymore. All the 15 years old hit singles just sounded really ugly and the new songs he wrote were almost intolerable.

Pu Shu: At least I didn't put on an extra 50 pounds. What do you expect?

Last week end, we witnessed again how bad has-been artists can be on stage – the headliner artist of Beijing Midi Festival He Yong and the headliner of Chaoyang Music Festival (now goes by a weired name MMAX Big Party) Pu Shu. The former (whose last and only album was released in 1994) was a rushy replacement of the no show Mos Def. The later (last album was in 2003) was that day’s biggest crowd drawer since he hasn’t appear for years. Well both of them have proved the theory right. There was no charisma on stage what so ever and they barely could sing in tune.

For all we know He Yong has suffered from mental illness for years and has never really been back to himself again since he decided to reappear on stage several years ago. This time his performance was described by fans “He was almost asleep on stage.” The problem is, none of them (these two and many more) has been creatively active for a long time, when artists stop write songs and sing, eventually they lost their geist. Pu Shu says he is working on an new album now, and we would be very curious to hear the new songs. (FYI, Zhang Chu said the same thing two years ago and still no new songs yet.)

Our role model in this area, is of course the almighty Cui Jian. Although has been banned from mainstream media for many years, his creative mind has never paused. He writes and performs new songs all the time, and his live show is always brilliant. Let’s pray for his good health. It is however, a bit pathetic for us, that he is the only rock star(of the old days) left standing.

(This event was in January. I had to delay the post for many reasons. )

We always have an universal answer for unbelievably absurd things that actually happening here: “This is China”,  then everything seems make sense. Things that will be certainly taken as a joke in the west would normally prove themselves to be 100% reality here.

Yang Mi, a young (famous) actress, who decided she can also be a singer – and quickly released her debut album  -  has been awarded the best female new artist of last year in a major music awards (Beijing Pop Music Awards by China Song Chart).  Her wiki page now states that she is a actress and a singer. We all knew the best new artist of the western music industry is Adele. Take a deep breath and check out what China has to offer: 

That, is Yang Mi’s performance at the awards ceremony. It’s so horrible – even by chinese standard. You wouldn’t need any music expertise to notice immediately that she just cannot sing. Although we have to respect her courage  – it must have been difficult for her to decide singing live instead of miming, which would be a better choice.  Quote one of the comments underneath the video: “As a big fan of Yang Mi,  after hearing her sing this song – I’d rather die! ” 

We couldn’t  help but wonder: Are You All Out of Your Mind? Does music mean absolutely nothing? We wouldn’t blame the record label – surely there is money to be made. But Best New Artist of 2011? Something must be seriously wrong.
 
Or we could invoke the great answer: “This is China, mate.”
 

Although currently big Sony is sacking off people all around the globe, it seems that they’ve made a bold move on appointing the new Sony Music Greater China CEO earlier this month.

The news on  Billboard.biz is quite bog-standard and nothing too exciting:

Mr. Xu comes to Sony Music with extensive experience in the Greater China market, having worked in recorded music, publishing, artist management and the touring business.  In 1994, Xu is credited with having re-established EMI Music’s presence in China, serving as chief representative, EMI Music China and GM, EMI Music Publishing China. At EMI, he signed Chinese rock superstar Zheng Jun and was instrumental in various collaborations between Chinese and international artists, including Coldplay and Toshiba/EMI Japan’s Chage & Aska. In 2002, he founded the companies New-Style Entertainment and Da-Jam Pro International, which handle artist management, production and concert promotions in China.

Timothy Xu: Don't let my appearance fool you, I'm not an accountant.

What’s missing here and probably what should be the most important message is:  Mr. Xu, unlike his equivalents of other major labels, is from Mainland China. It’s been too long to remember when we had someone from mainland China taking charge of any of the major labels here, maybe never.

We all aware that Chinese music industry may have a million problems, one of them seems to be we haven’t broken any local artists for years, while western music industry has presented us a long list of successful new artists including global super stars like Rihanna, Lady Gaga, and Adele.

At least part of the main reason is all the major labels are not managed by local people – which is quite understandable, since we really didn’t have enough (or any) experienced local people here in this particular industry. But music business is nothing like the business of making mobile phones or iPads. The consequences are that most of the major labels became just a marketing and distribution channel for their artists from other territories – naturally people would rather work for artists they are familiar with /or from their hometown. Developing new artists is a tough job, takes lots of energy and money, and no one guarantees the result, so what’s the point?  A general very weak A&R/creative policy seems to be the common case here, and it certainly would contribute to the fact that we have no local break through pop stars.

Tim Xu may (or may not) be the start point of breaking this pattern. It would be interesting to see Sony Music’s next move.

Following our last report on the fight for the song writer’s legal rights, there is more news.

Music Industry: This is the most fancy and fashionable press conference that we can afford.

Last week two official music industry organizations – the Recording Music Committee of China Audio Video Assosiation (in theory most major and indie record labels are  members) and the  Pop Music Society of Chinese Musicians Assosiation – have held a joint press conference (a rather gloomy one appearently). After everyone finished their moaning speech about how unfairly they have been treated over the years, how ridiculous these new amendments are, there would be no music industry at all in China and we would have to all go home selling Peking ducks - if these amendments were passed,  a formal statement  was released to the media.

The statement demands major changes have to be made of the clauses No.16,46,48,56,59,69,72, and deletion of clauses No.60,70.  Please check the full article here (in Chinese).

The Recording Music Committee also threatened (honourably of course)  to quit MCSC (Music Copyright Society of China, the “official” collecting of China – the main beneficiary of the new amendments, and the current public enemy of Chinese music industry), if these amendments stay unchanged.

Funny enough, one day after the music people’s press conference, MCSC - the widely believed original source of these amendments - put out their own statement on the issue as well, and recommends  the deletion of clauses No.46&48. Huh? 

The question is still open until the end of this month -  by then the NCAC will make decision on whether to keep or change these new amendments based on the feedbacks they’ve received this month.

Midi Festival Audience: We civilized people only show our index finger.

In the light of the recent political dramas and the upcoming big party election, it seems that the life of any live promoter has been tougher than ever with all the suddenly strengthened approval process. The whole turmoil has tightened every single nerve that the authority structure has now, and last thing they want is some unfortunate incident (such as the Björk one which made so many people’s life much harder and helped nothing) at any event that gathers people.

Beijing midi festival in theory is just about two weeks away, and the organizer still hasn’t officially announce it yet – their recent Weibo (@迷笛) said “we are still trying to make adjustment of our festival according to the suggestions that made by the relevant organs, we would aim to announce the festival and the line up in the upcoming week. ”

We’ve also been informed that since the beginning of this year, even for small shows, the artists would have to performed exactly the same songs that have been submitted for approvals. Submitting songs has always been required in the process of getting proper live event licence, but before it was just a matter of process and formality, no one really would check the artist sings the same batch of songs in the event.

And naturally perfornances of international acts are more heavily censored. About the recent Beijing concert of SUM 41 – a concert that has been received quite negative reviews afterwards including the set was too short, the lead singer was a bit not himself on stage and etc, well the promoter had a reason. Apparently there was a big brother guy standing by the sound desk, with a translator and a piece of paper on which shows all the songs that has been previously approved, and his hand was on the master volume control – you get the idea.

PRC Copyright Law: Don't look at me, I'm only a cover!

The recent amendment draft of Copyright Law of the People’s Republic of China has just been released by the National Copyright Administration and it has stirred up a huge reaction (a big “What the Fxxx?”) among Chinese song writers. 

The main clause that sets the fire is no.46. A rough translation (with my tiny legal vocabulary) is something like this:

No.46: After a recording has been published publicly for 3 months, under the conditions that specified in clause no.48 of this law, other recording producers/makers has the right to use the music composition to make new recording, WITHOUT the authorization of the original publishing right owner. 

No.48 specifies those conditions, including

1) one has to obtain a government approval for the new recording
2) one has to keep the original writers names in the credits
3) one has to pay the royalty collection administration according to the rates that set in this copyright law.

What’s going on and what does this mean?

 For those who aren’t familiar with the current situation, here is a bit of information : the official collection societies here are all half governmental bureaucratic organizations (Ta Dah!):   - and no one trust them to distribute the money fairly, since virtually no one gets royalties sucessfully from the official collecting society (maybe for those old “Red Song” writers but certainly not for pop music writers). That’s the reason most deals between the licencee and the licencor are always based on advances and ignore the royalties.

 This change in the new draft is clearly enhance or maximize the power of the official collectiong adminstrtion – because now ANYONE can use your compositon without your concent,  the songwriters completely lose control of their  songs. The only way for the songwriters is to register and deal with this collection administration and hopefully gets the money via them – an organization that no one likes and no one wants to deal with so far.

There is more. If I understand it correctly, this law would not only apply to local song writers but also international songwriters as well, as long as their works have been released in China. So ANYONE CAN COVER ANY SONG. A dog meat hot pot restauant can hire a random singer to cover Let it Be as the restaurant’s theme song – and release it legaly – provided they keep dear old Sir Paul McCartney’s name in the credit on the back cover, and probably a “PETA Go to Hell” banner on the front.  Any thought?

It seems music people here are all furious (only on weibo – instead of the streets of course), is there anything anyone can do to make this ridiculous law disappear? And all the  international music giants,  dear Doug, Lucian, Stephen and Roger, shouldn’t all of you guy make some noise on this issue ?

With all of our fingers (and toes) crossed, let’s wait and see what’ll happen. 

Reference (in Chinese):
http://economy.caijing.com.cn/2012-04-04/111800793.html
http://www.ncac.gov.cn/cms/html/309/3502/201203/740608.html

In past few years I’ve found many young singers completely don’t understand the basics of how to start a talk with a record label. I feel I’m in the mood today to give a 101 class to those who wants to have a music career and don’t have a clue how to start it. 

Dear Young and Self aclaimed Singer;

I’ve carefully read your email,  and I decide to give you some very honest suggestions – if you really want to enter the industry of pop music which by the way is not remotely as fancy and glamorous as it seem to be. Consider this email as a late spring festival gift.

Music business is show business. As a new singer you have to learn how to present yourself – that means:

a)      have a professional photo session taken and make yourself look astonishingly fabulous and SPECIAL in those pictures before you send out any pictures to management companies or record labels in my case. Remember we have all levels of beautiful people’s pics on our desk every day – and most of them even really pretty ones just aren’t special enough to be a star. Do not send out blurry pics that people can’t even see your face – it’s a waste of both your and that other people’s time. By the way the word special here doesn’t mean 1) no face expression or with a face expression of a moron (I don’t understand why there are people think that’s really cool),  2) looking at camera as if you have just lost RMB1000, 3) half of your face coverd by a tree or a dog, and etc.

b)      when you record a demo – do it right, it’s REALLY easy and cheap to record a singing session very professionally these days, if you don’t know how to do it – search online, ask people, figure it out, you have all the time in the world. Do not send out something that you don’t believe (that it will absolutely “wow” people) . Do not send something that 1) was recorded with the mic of your laptop, 2) was recorded with the mic of your mobile phone, 3) was recorded with the mic of a head phone, 4) was recorded in a netcafe or your shower, and etc. If you are a singer/songwriter – choose your best songs, if you are not a singer songwriter, chose 2 or 3 songs that represent your voice in a best way, again – normal or even “mum says I’m quite good” voice is not enough.

c)      If you really can’t write songs, learn to perform. All great singers are great performers. You need to dance like Katy Perry or sing like Adele (they both write songs by the way). And you have to be SO BRILLIANT to make it compensates the fact that you can’t write songs (example: Madonna). This cannot be done overnight, you need to practice on stage – start with small shows in your community, then local livehouses and whatever opportunity that you can get to perform. And when you are convinced that your performance is good enough – film it, film several songs and cut the best bits to make your own showreel.

d)      start a webpage of yourself as an artist, on myspace or whatever the trendy platform that kids use now. Put your recordings, your videos, you pics on, start a fanbase, talk to your fans EVERY day. If you are interested in mainland China area, learn what are DOUBAN and WEIBO and start to use them. Generate as many initial fans as you can YOURSELF, that what artists do nowadays. 

e)      when writing to any record label -  use their language. it’s only luck that the your email came to me, most of the staff in this office doesn’t speak much English – same applies to most record labels here in China. 

 f)       you are very, very young, please learn to write songs! Believe me it’s much more fun to sing your own song with your own words and express your own personal feeling, also it’s just so much cooler. 

 These are my advices for you, they may sound a bit harsh but I guarantee you they will help.  If you still consider to make music your career, please have a serious think about all the above and maybe get back to me again in the future.

Yours Sincere, 
A&R People

Due to Internet connection problems and some personal issues, ChinaMusicPod (website and twitter) hasn’t been updated for months. We are trying to sort things out and get back online as soon as possible.

So many things happened since this summer, we will keep the faith of Chinese Music, and more importantly, China.

Meanwhile, we welcome any collearboration ideas or suggestions, please contact host@chinamusicpod.com .

Steve: I'm imagining all the groupies I have in China.

 Another REAL producer, Steve Lillywhite, will be in Beijing next week. Following his talk in Music Matters in Singapore, the British legendary figure is invited here by Zebra Festival people.  And, there will be a welcome party.

After Marius De Vries, Ross CullumHowie B, we are glad to see another producer for real coming to China and probably looking for projects to work with. One of the main things that we think the Chinese music industry needs most are PRODUCERS, and we are NOT talking about some random western guy who have worked for music business a bit and call themself producers – which we have enough here already.   

We’d expect Steve to appear at Shanghai Zebra Festival next weekend, but early next week he will be here in Beijing.  “Looking for exciting new music, and local Chinese artist to work with”, said in the invitation letter. The welcome party in on next tuesday, 2nd August, at the One Club.

Folk-pop singer Ye Bei, reggae band Long Shen Dao, indie bands Bigger Bang and Rustic will perform at the Party. We are not sure this is the best line up that Beijing has to offer to Steve, but it certainly covers different styles.